Skip to content
Join our Newsletter

Review: No Joy, ‘More Faithful’

No Joy More Faithful (Arts & Crafts) Montreal’s No Joy have returned with a dazzling explosion of doom and dream pop in the form of More Faithful, their most flourishing, intense release to date.
nojoy

No Joy

More Faithful (Arts & Crafts)

Montreal’s No Joy have returned with a dazzling explosion of doom and dream pop in the form of More Faithful, their most flourishing, intense release to date.

Working with producer/musician Jorge Elbrecht, they recorded the 11 tracks in both Brooklyn and an old farmhouse in Costa Rica. The exquisite voice of Jasamine White-Gluz remains predominant here, sounding like something between Kim Deal and a bouquet of sunbeams. In “Everything New”, arguably the most pop construction on Faithful, White-Gluz sings “anything you wanted” over shoe-gaze swagger, compliments of guitarist Laura Lloyd. It could easily be a heavenly chant from the early ‘90s. “Hollywood Teeth” takes traditional song structure and puts it through a distortion pedal, à la Dum Dum Girls or Frankie Rose. “Burial in Twos” is a wonderful, meditative new wave experience that could easily find its place on a Creation Records compilation circa 1985. 

A press release draws attention to the fact that the band approached their creative process in a more structured, regimented way. Whatever they are doing, it’s working. More Faithful is their most focused, expansive and satisfying album yet. Like seeing a Costa Rican sunset through distorted sunglasses.

All ratings out of five

Rating: ★★★★

$(function() { $(".nav-social-ft").append('
  • '); });